 ©
2000 Los Angeles Times Los Angeles, October 15, 2000
Winging
It
By Susan
King
As
executive producer and co-creator of Seinfeld, Larry David
was responsible for some of the landmark comedy series' funniest
moments.
But
in developing his new HBO series, Curb
Your Enthusiasm, the former stand-up comic isn't
writing any dialogue. It's not because David's comedic
chops have abandoned him; it's because the series is
improvised. David writes a plot outline for each episode,
but the dialogue and action is all done on the cuff.
Because
he hasn't had to write scripts, Curb Your Enthusiasm hasn't
been as stressful to David as Seinfeld, for which he wrote
at least 60 episodes and rewrote numerous others.
"The
fact that I am improvising, I don't have to worry about memorizing
lines," David says. "It takes a lot of the burden off, but, of course,
there's another burden. I have to make it up as we go along. So
there is pressure, but it hasn't caused me undue stress or anxiety."
In
the 10-episode series that begins Sunday on the pay cable network,
David plays a neurotic Hollywood writer-director named Larry David.
Jeff Garlin, an executive producer of the series along with David,
is his unscrupulous manager, Jeff Greene. And Cheryl Hines co-stars
as David's wife, Cheryl.
Comic
Richard Lewis, Seinfeld alum Julia Louis-Dreyfus, Ted Danson
and Mary Steenburgen are among the guest stars.
If
Seinfeld was about nothing, Curb Your Enthusiasm,
says Garlin, is about a "person trying to get through the day."
Episodes
find David insulting Lewis' new girlfriend, fighting with a snobby
salesman at Barney's over a pair of athletic shoes and going through
hoops to buy an expensive bracelet for his wife after ignoring her
while watching a football game.
Garlin
sees Jeff Greene as the villain of the piece. "He has no values.
My character has the values of Hollywood. He'll do anything to get
ahead. He has no morals whatsoever. He's an amalgamation of every
agent or manager I have ever met."
Curb
Your Enthusiasm is done in a raw, documentary style, generally
shot on location and using hand-held cameras. In fact, Robert
Weide, the supervising producer and director, is a documentary
filmmaker.
David
asked Weide, a longtime friend, to direct David's
HBO special last year, which became a prototype
for the series, and then to continue when HBO picked
up the show."Because I've directed so many documentaries,
Larry figured I'd know how to apply the rules of cinema
verite in directing a 'fake' documentary," says
Weide.
Weide
uses two cameras to film the series with one camera always on David.
Because Weide doesn't know what the action or dialogue will be from
scene to scene, he instructs the other camera operator to "follow
the action where it leads. Sometimes it's take six before we have
any idea what we're really doing. Then I'll cover it a few more
times and we'll polish it from there."
Weide
and David discuss the scenes after every take. "We talk about what
we felt worked and didn't work, honing in on what works."
He'll
also take actors aside and give them advice on how to play a scene.
"I'll say things like, 'Don't look so hurt because it will
make Larry look like a bully. Give him back a little of his own
medicine.' " And whenever possible, Weide will throw surprises
at David. "Whenever I can, I'll secretly ask the actors to
do things that Larry isn't expecting. On this kind of show, surprises
can work in our favor."
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