In March of 1982, PBS aired my first film, The Marx Brothers in a Nutshell. Soon after that broadcast, I wrote a letter to author Kurt Vonnegut in New York, telling him that I made the Marx Brothers film because I was a big fan of theirs. I told Vonnegut I was also a big fan of his, and wanted to make a film about him. I asked if he'd be interested.
He wrote back saying that he had seen my Marx film and loved it. He also said that since he was an author, his work was on the page and he didn't know how one could make a film about him, but he'd be happy to meet with me to discuss it. (Much of this is detailed in the article The Boys of Mother Night in the June 1997 issue of Written By magazine. Also touched on in The Morning after Mother Night, originally published in the Autumn, 1997 edition of The Realist.)
Soon after that correspondence we did meet, and it was the beginning of one of the most rewarding friendships of my life. It was a full six years before I actually started filming Kurt. In March of 1988 we traveled to Buffalo, New York, where a Unitarian church was performing the world premiere of a Humanist Requiem mass that Kurt had written. We boarded a train in Grand Central Station and I interviewed him during the eight hour journey upstate. Along the way we picked up his brother Bernard in Albany, so I was able to shoot the two Vonnegut boys laughing and reminiscing about old times. In Buffalo, I filmed Kurt's speech to a very large full house (full church, actually), as well as the performance of the Requiem by the Unitarian choir.
I've continued to follow Kurt around with a camera since that trip. As of this writing (January, 2001), I've been chronicling him on film for thirteen years. The documentary has been primarily self-financed, so I tend to do more filming whenever I have some spare time and money. Finally, I am cutting together a half-hour reel which I will then use to take around and raise the needed finances to complete production.
Over the years, I've filmed Vonnegut in a number of locations and venues, including the following:
The film also contains beautiful black & white 16mm home movies of Kurt and his family, dating back to 1925 when Kurt was three years old. The Vonnegut and Adams families have also been gracious enough to open their family archives which include home movies from the Cape Cod house in the 1960's and family scrapbooks, chock full of vintage photos dating back to Kurt's infancy.
Post Script: I get lots of e-mail asking me about the status of this eagerly anticipated tribute, so I offer this partial explanation ... Other than a few remaining interviews, most of the footage has been shot. Because the film is being financed out of my own pocket, my priorities tend to fall on work that derives an income, which can cause interminable delays in my ''hobby'' projects. I've grown tired of constantly revising my predicted completion date for this film, so all I will say is...
UPDATE (January, 2009): I still make no prediction about a completion date, but as of January, 2009, the film is actively back in production.