 Charlie
Joffe and I had our television development deal at Lorimar for two
years ('90-'92). As our term there was winding down, we found ourselves
building a relationship with the Showtime network where we established
a new development deal that kicked in once the Lorimar contract expired.
The
day after an article appeared in Variety announcing that
we would be producing specials and movies for Showtime, Charlie
got a phone call from legendary comedy writer Larry Gelbart (credits
include the play, A Funny Thing Happened on the Way to the Forum,
the movie Tootsie and creator of the TV show M*A*S*H).
Larry
told Charlie that he had written a satirical play called Mastergate
which had a nice run off-Broadway but there were no plans to do
anything further with it. Would we be interested in adapting it
as a TV special for Showtime? It struck us as a rhetorical question.
Of course we were interested!
Gelbart
had subtitled Mastergate ''A Play On Words''
which was, in itself, a play on words because Mastergate
was a play that, well... played on words.
It's
actually a very witty political satire. Taking its cue from Watergate
and the Iran-Contra hearings, Mastergate spoofs Congressional
investigative committees and shows how politicians have mastered
the art of using language as a smokescreen. Hardly a sentence emerges
from anyone’s mouth that doesn’t have at least two meanings, yet
almost everything said is meaningless.
The
"Mastergate" hearings uncover our government’s covert
shipment of illegal arms to a Latin American country, using a big
budget Hollywood action movie as a cover. The film's budget eventually
exceeds a billion dollars ("1.3 billion with catering.")
It’s
hard for any description to do this brilliant work justice. Mastergate
reminds you how sorely "wit" is missing from what passes
for comedy today. Watching it, you can’t help but be awed by the
mind that came up with all this. But that’s Gelbart.
Joffe
and I hooked up with a very talented producer named David Jablin
who was already in love with the stage play and had long hoped to
bring it to the small screen. We were all in agreement about one
point from the beginning: we should take advantage of the television
medium by presenting the work as a live TV broadcast of the Mastergate
hearings, CNN-style. As absurd as the dialogue was, the action should
be presented realistically enough that those tuning in might think
they’ve stumbled onto live coverage of a Congressional hearing.
At Gelbart’s request, we recruited director Michael Engler who had
directed the play off-Broadway. A huge amount of credit, however,
must be given to producer Jablin who was truly the brains behind
the transition from stage to screen.
I
wish I could take more credit for this show, but as Co-Executive
Producer, my role was more administrative and supervisory than anything
else. We managed to corral an amazing cast for Mastergate
(which premiered on Showtime on November 1, 1992, less than a week
before the election that first put Clinton in the White House.)
The cast
included: Richard Kiley, David Ogden Stiers, Ed Begley Jr., Bruno
Kirby, Tim Reid, Marcia Strassman, Darren McGavin, Henry Jones,
James Coburn, Burgess Meredith, Dennis Weaver, Pat Morita, Jerry
Orbach, Buck Henry, Ron Vawter, Ben Stein and Robert Guillaume.
Mastergate
is available on home
video, distributed by Showtime Home Entertainment/New Video.
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