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Harold
Ryan is a Hemingway-styled hunter and explorer who disappeared in
1962 while on an expedition to the Amazon rain forest with his sidekick
Looseleaf Harper (the pilot who dropped the atomic bomb on Nagasaki).
Finally resigned to her husbands death after eight years,
Penelope Ryan and her twelve-year-old son Paul resume their lives
in their Manhattan penthouse apartment where Penelope is being courted
by two suitors, peace-loving Dr. Norbert Woodly and hawkish vacuum
cleaner salesman Herb Shuttle. When Harold unexpectedly walks in
the front door one night in 1970 (with Harper in tow), he expects
life to simply pick up where it left off. He is appalled to discover
that his wife and the world at large have changed considerably in
his absence.
Interspersed
throughout the play are discourses about life in heaven and the
joys of playing shuffleboard in the afterlife, delivered by Harold's
alcoholic third wife, Mildred; ten-year-old Wanda June and Nazi
officer Siegfried von Konigswald (the Beast of Yugoslavia), killed
by Harold Ryan during the second world war.

Of
the original Broadway production, Newsweek's
Jack Kroll wrote:
Almost
every time an American novelist writes a play he shows
up most of our thumb-tongued playwrights, who lack
the melody of mind, the wit, dash and accuracy of
Saul Bellow and Bruce Jay Friedman. And the same thing
must be said of the writing in Happy Birthday,
Wanda June, . . . Vonnegut's dialogue is not only
fast and funny, with a palpable taste and crackle,
but it also means something. And his comic sense is
a superior one; Wanda June has as many laughs
as anything by Neil Simon.
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